My focus for this 10 part mini-series was to develop a visually appealing world within the constraints of a limited TV budget. We employed highly rendered paintings and dynamic lighting to bridge the gap between 2D painted images, 3D modeled sets, and characters. My role involved a great deal of look development, in every aspect of the production including characters, environments, colour design, lighting, surfacing, and matte painting. As the Matte Painting Lead, I oversaw and guided a group of artists and maintained quality, provided paint overs, and met production requirements while collaborating with numerous departments in the pipeline.
